In Hart Crane: After His Lights, Brian Reed undertakes a learn of Crane’s poetic output that takes under consideration, but additionally questions, the post-structural and theoretical advancements in humanities scholarship of the decade that experience mostly approached Crane in a piecemeal method, or pigeonholed him as represen-tative of his category, gender, or sexual orientation. Reed examines Crane’s profession from his juvenilia to his posthumous severe reception and his influence on practising poets following global battle II. the 1st a part of the learn exams universal rubrics of literary theory—nationality, sexuality, period—against Crane’s poetry, and reveals that those labels, whereas enlightening, additionally obfuscate the starting place and personality of the poet’s paintings. the second one half examines Crane’s poetry in the course of the strategy of its composition, assets, and versions, taking on questions of fashion, family tree, and style. the ultimate part examines Crane’s impression on next generations of yankee poets, specifically by way of avant-garde literary circles just like the New American poets, the Black Mountain university, the hot York university, and the Beats.
The result's a examine that complicates and enriches our understandings of Crane’s poetry and contributes to the continued reassessment of literary modernism’s origins, path, and legacy.