By Simon O'Sullivan
In a chain of philosophical discussions and creative case reports, this quantity develops a materialist and immanent method of smooth and modern artwork. The argument is made for a go back to aesthetics - an aesthetics of impact - and for the theorization of paintings as an improved and intricate perform. Staging a chain of encounters among particular Deleuzian techniques - the digital, the minor, the fold, and so on. - and the paintings of artists that place their paintings outdoors of the gallery or 'outside' of illustration - Simon O'Sullivan takes Deleuze's suggestion into different milieus, permitting those 'possible worlds' to paintings again on philosophy.
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