By Ruth Katz
The Western musical culture has produced not just track, but in addition numerous writings approximately track that stay in continuous—and drastically influential—dialogue with their topic. With sweeping scope and philosophical intensity, A Language of Its Own lines the prior millennium of this ongoing exchange.
Ruth Katz argues that the indispensible courting among highbrow construction and musical production gave upward thrust to the Western notion of song. This evolving and infrequently conflicted approach, in flip, formed the artwork shape itself. As principles entered track from the contexts within which it existed, its inner language constructed in tandem with shifts in highbrow and social historical past. Katz explores how this infrastructure allowed track to provide an explanation for itself from inside of, making a self-referential and rational starting place that has all started to erode in fresh years.
A magisterial exploration of an often missed intersection of Western paintings and philosophy, A Language of Its Own restores track to its rightful position within the background of principles.
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